09

I am often asked what I believe is my best photograph. Without hesitation, I always answer that it is my image of the Bhutanese novice monks joyously careening down a hill at their Thimphu monastic school.  I love the spontaneity, emotion and movement captured in this single frame: a true moment frozen in time, and my favourite picture I've ever taken.

What was originally created nearly four years ago -- as a promotional still image for Persistent Productions' documentary film, Shooting For Democracy -- has become the most popular and commercially successful photo reportage I've ever made.

This image has been printed in the pages of the iconic National Geographic Magazine (USA), as part of a feature profile in National Geographic Magazine (China), and on the cover of GEOspecial Magazine (Germany).  It also appears on Adobe’s Photoshop.com website and was one of three photos from my "Thunder Dragon" collection that was selected by Luerzer’s Archive when I was honoured as one of the “200 Best Advertising Photographers Worldwide” a couple of years ago.

This month, my favourite young monks grace the cover of British Airways' inflight magazine High Life for a cover story on the enigmatic Kingdom of Bhutan.

Visiting Bhutan had long been a dream of mine.  And when that dream finally came true, exploring and documenting the ruggedly beautiful country exceeded even my highest hopes.  Truly, my time spent in Bhutan was the most amazing travel and photography experience of my entire life.  And I find it exciting and rewarding that imagery I created during that remarkable experience also -- and still -- resonates with others.

A fun post script to this photograph: one of the very next frames I snapped after this image was of friend and filmmaker, Mike Rogers, surrounded by the gaggle of young monks who had just run down the hill, as they raptly watched themselves come to life on the screen of Mike's video camera.  This picture actually appeared in The New York Times.  Indeed, the photography gods were smiling down upon us that afternoon.