Chinese opera is deeply ingrained in the Chinese culture, with roots back as far as the Third Century. The large waves of Chinese immigrants who settled in Singapore over the past 150 years have transported this traditional form of musical dramatic theatre with them, performing it on makeshift bamboo and wooden stages in car parks and open fields across Singapore's heartlands, most notably during Chinese New Year and Hungry Ghost festival celebrations.
According to the Singapore Tourism Board, "[most] story plots in traditional Chinese opera performances are based on famous Chinese classics and myths. Reflecting Chinese culture and philosophy, almost all opera performances highlight virtues such as loyalty, love and patriotism. Other than a form of entertainment, Chinese opera also plays an active role in dispensing important messages, especially those concerning patriotic values."
I have always been drawn to the vibrant costumes and colourful face painting of the Chinese opera performers, and have often wished for an opportunity to photograph this fading traditional art. However, the opportunity had never presented itself, until recently when I was speaking
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with a fellow photographer and he invited me to join him for a performance by the Xin Xin Rong He Teochew street opera troupe (新新荣和潮剧) in the neighbourhood of Ghim Moh, not far from my home.
I arrived early and approached the small, rickety stage with my camera, uncertain how I would be received by the performers. But almost immediately, I was invited up the short wooden ladder and backstage as the performers hurriedly dressed in their costumes and applied their make-up for the upcoming performance.
Backstage buzzed with energy as performers and crew raced back and forth through the cramped dressing room -- lit only by glowing, naked lightbulbs dangling from wires -- as drums pounded and cymbals crashed on the small stage just beyond the thin, transparent sheet that separated fantasy from reality. It was an amazing evening, and I am grateful for the warmth and openness of the performers for welcoming me backstage with my camera.
These photographs are a small collection of the work I created when I spent that evening with the Xin Xin Rong He troupe; more of this series can be found on my website.
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Such a strong set of reportage pictures
Comment by joe — December 8, 2011 @ 7:49 PM