This past August, I received a phone call from The Moving Visuals Company, a television and film production house in Singapore.  They were contacting me on behalf of The HISTORY Channel, who was searching for a photographer to host a TV series, and they wanted to know if I was interested in such a role.

I can honestly say I hadn't awoken that morning thinking I wanted to be on television.  However, as my father always says, "you never know if you never go", so I agreed to a meeting to discuss the opportunity further.

One thing led to another and a few weeks later -- following a screen test with the show's Creative Director and countless phone calls with the series' Executive Producer -- I learned that I had been selected as the program's host. And so began a three-month (and counting) adventure filming the television series Around The World With Voyager.

Sponsored by John Walker & Sons, and inspired by the rare 1920s travel guide Around the World -- a journal that documented cities and countries across the globe nearly one hundred years ago -- the TV show follows me on the 187-foot custom designed luxury yacht, Voyager, as I sail across Asia, from Shanghai to Mumbai, recreating the epic

journeys of the early 20th Century traders.  The series will comprise of five episodes, one created in each of Taiwan, Hong Kong, Philippines, India and Vietnam.

The show is one-half biography and one-half travelogue, as I disembark and meet with local icons -- a celebrity, an entrepreneur or an entertainer -- who define their cities as much as their cities have defined them.  Each personality acts as my tour guide, taking me to five different locations that represent significant milestones in his/her life and have helped shape his/her professional and personal successes.

As host and photographer, my role is to learn about the icons and their lives, while at the same time documenting their personal journeys by shooting a definitive portrait of them at each of their five milestone locations.

Historic yet contemporary, Around The World With Voyager strives to uniquely document the evolving history of modern Asia.

This is the promotional trailer for the premiere episode, where my first port of call is Taipei.  Here I meet Sean Anson Xu 徐安昇, one of Taiwan's most admired and ambitious entrepreneurs.

Candidly, stepping out from behind my lens to host a television series has been quite a journey in its own right for me personally.  It has been a challenging transition, but it has certainly been a rewarding opportunity.  And although making television is a completely different endeavour from my world of still photography, I have absolutely enjoyed the experience of bringing these two worlds together in Around The World With Voyager.

Around The World With Voyager premieres on Monday 26 November at 11pm on HISTORY and HISTORY HD.

Last year I received an email from Ian Hinden, an artist, poet, writer, musician, fashion designer and self-professed "author of culture".  He told me that he was creating a mystery web drama called "Orphan" where the puzzle would be in the hands of the Internet audience to solve.

Ian went on to explain that Internet culture and the way the Internet consumes content would be a large part of the show's design, with the primary goal of "Orphan" to reward viewers who pay close attention to the show; by doing a bit of detective work, the viewer could discover hidden communications from the show's universe and characters.

Ian had completed the script for "Orphan" and his next step in getting his web drama produced was to create fantasy-inspired character portraits of all the main "Orphan" characters.  With my curiousity piqued, I agreed to see him.

Ian arrived at our meeting and launched excitedly into the "Orphan" storyline, which tells the tale of Jason Diego, whose father dies and leaves him a mysterious document which could change the course of the world.  To solve the mystery behind the document, Jason must travel deep into Brazil, where he discovers a territory claimed by no country -- an orphan territory.  A people with a strange and tragic history populate the land and, ultimately, Jason must face a villain -- the monster of the modern age with power stretching all over the world.

Ian took the time to introduce each of his "Orphan" characters to me: Geisha, Nurse Coli, Bible Jacket, Hiroshi, Tattoo Girl and Watch Man. He explained that his inspiration for these people was born from the simple idea of human imperfection; he was fascinated by the idea of taking some form of psychological disorder and chasing it to the extreme within the universe he'd created.

Geisha is symbolic of the meeting of Eastern and Western philosophies, with the traditional Japanese kimono finished in a Brazilian carnival style.  Geisha's white face is also reminiscent of Anonymous, an online persona that many people take on when they don’t want to be identified.  To Ian, identities are fluid, borders are fluid and alignments are fluid to the degree that you can’t tell who’s good and who's evil.  "Good vs. Evil is a boring story," declared Ian.  "The only story worth telling is Good vs. Good".

Nurse Coli was inspired by 4chan, where the users say, “We are the cancer that is killing.”  She is what would be spit out if a hospital managed to get cancer.   There’s a medical aspect involved in "Orphan": many of the characters have strange quirks or disorders, and part of the experience is diagnosing the characters.  Ian explained that Nurse Coli is his favourite character because she’s a monster who doesn’t know it.

The man wearing the Bible Jacket is the personification of addiction.  He wears a jacket made of Bibles to symbolize that ideas are often the things we are addicted to most. According to Ian,  "Some ideas, even though they feel good, can be the most destructive parts of ourselves."

Hiroshi is representative of conformity.  For a group like Anonymous to function, the members must completely conform.  "Although in the West strength is often exhibited through individuality, people purposefully shed these characteristics online so that no one in particular may be culpable," remarked Ian.

Tattoo Girl is a worker in a geisha-type hotel where the girls must have certain expertise.  Her tattoo is a barcode that details her skills.  Ian explained, "In 'Orphan' tattoos aren't viewed as a source of individuality, but rather as something your owner 'puts' on you.  However, Tattoo Girl is a non-conformist looking to break the system from inside."

Watch Man comes from a scene Ian envisioned where the sound of clocks ticking out of sync permeated the room.  "The universe of Orphan spans a long time, so there is a deep history that the characters are aware of.  The creature I envision would emerge from a century-long slumber," Ian exclaimed.

Ian showed me a tattered notebook full of character sketches and costume designs to further articulate his vision for "Orphan", emphasizing that, although the broad story concept was his, there was already a small team behind him: his partner, Chris Chiu, who works as the costume designer for the Venetian and Sands in Macau, would lead the wardrobe design, assisted by Steven V. Turner, a prop builder for Cirque du Soleil in Macau and local tailor, Zhou Quan.

I was hooked and, over the coming months, invited my producer Annette Fausboll into the fold to assist with talent casting, securing locations and aiding with other shoot logistics.  We brought in Andrea Claire to lend her expertise with hair and make-up styling; Procolor, Singapore's preeminent digital imaging house, to lead the photography retouching; and my frequent creative collaborators Mike Rogers and Meghan Shea of Persistent Productions to help with documenting behind-the-scenes of the shoot.

Over three days in early September -- more than 15 months after my first meeting with Ian -- we shot the fantasy-styled "Orphan" character portraits at six different locations in Singapore.  It was an exciting collaboration of more than a dozen people, and the resulting photographs are a testament to the hard work and creativity of the entire team.

Ian has now left Singapore to return to the Las Vegas where "Orphan" is being produced in partnership with Phyllis Carreon-Taie of Dream Vision Studios and Shawn Lane of the Las Vegas chapter of the charitable organization Women in Film.  Ian will act as executive producer along with his co-writer, Garek Bottesch, and business partner, Levi Larkin.  "Orphan" will be scored by Ian and James Von Boldt.

See more of my fashion and portrait photography portfolio on my website.